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Blood Knot

February 8–March 9, 2008

Blood Knot by Athol Fugard
Directed by Charles Randolph-Wright
Music composed and recorded by Tracy Chapman

"A contemporary classic . . . A profoundly
human experience"

The New York Times

Running time: 2 hours 15 minutes

Blood Knot tells the story of two brothers trapped in the madness of apartheid South Africa. One is light-skinned enough to pass for white, the other is unmistakably black. Living together in a tumbledown shack, they wrestle with the terms of their fates and dreams—and long-simmering tensions explode over a woman. A.C.T.'s new production of Fugard's revolutionary breakthrough play, which first opened in 1961, holds a mirror up to the soul-searing effects of racism while exploring the inextricable bond between brothers.

"Gripping and provocative. . . . intensely realized performances"
San Francisco Chronicle

"Absolutely outstanding performances . . . A dramatic triumph."
Jerry Friedman, KGO Radio

"A rare and disturbingly affecting revival"
San Jose Mercury News

"Blood Knot creates a captivating racial dialog, with the sort of frank talk that tends to be homogenized in racial conversations in America. . . . it’s remarkable."
Contra Costa Times

Media Partner
Made possible by
KBLX radio
Comerica Wealth and Institutional Management

Koret Prologue*
February 12, 5:30 p.m.
Get inside the artistic process—come early for a preperformance discussion the director and other members of the artistic staff.

Theater on the Couch*
February 15, 8 p.m.
Join members of the San Francisco Center for Psychoanalysis for an exciting postperformance discussion that explores the psychological aspects of Blood Knot and addresses audience questions.

Koret Audience Exchanges*
February 19, 7 p.m.
February 24, 2 p.m.
March 5, 2 p.m.
After the show, stick around for a Q&A session with the actors of Blood Knot, moderated by a member of the A.C.T. artistic staff.

OUT with A.C.T.
February 20, 8 p.m.
LGBT night after a performance of Blood Knot features a catered afterparty and a cast meet and greet. Visit www.act-sf.org/out for more information about how to subscribe to OUT nights.

*Discussions immediately follow the designated performance and are free for ticket holders. Please note that performance times vary.

Cast

Steven Anthony Jones
(Zachariah)

Jack Willis
(Morris)

Robert Ernst (Understudy)
Hansford Prince (Understudy)

Creative Team

Athol Fugard
(Playwright)

Charles Randolph-Wright
(Director)

Tracy Chapman
(Composer)

Alexander V. Nichols (Scenic Designer)
Sandra Woodhall (Costume Designer)
Kathy A. Perkins (Lighting Designer)
Dan Moses Schreier (Sound Designer)
Michael Paller (Dramaturg)
Meryl Lind Shaw (Casting Director)
Kimberly Mark Webb (Stage Manager)
Stephanie Schliemann (Assistant Stage Manager)



Words on Plays

Insight into the Play, the Playwright, and the Production

Each entertaining and informative issue of Words on Plays, A.C.T.'s in-depth performance guide series, contains a synopsis, advance program notes, study questions, and additional background information about the historical and cultural context of the play.

Words on Plays is available for purchase in the lobby of the theater during performances or online ($12 each + postage and handling). To subscribe to the full season ($70), call 415.749.2250.

Blood Knot

Words on Plays Prepared by
Elizabeth Brodersen, Publications Editor
Michael Paller, Resident Dramaturg
Margot Melcon, Publications & Literary Associate
Ariel Franklin-Hudson, Publications & Literary Intern

Table of Contents

1. Characters, Cast, and Synopsis of Blood Knot
6. My Brother's Keeper: An Interview with Athol Fugard
by Jessica Werner Zack
13. About the Playwright
14. From Fugard's Notebooks
18. No Place Like Home
by Michael Paller
21. Director Charles Randolph-Wright on Blood Knot
28. A Guiding Hopefulness: An Interview with Trace Chapman about Blood Knot
by Jessica Werner Zack
31. A Blood Knot Glossary
35. A Little Bit about Port Elizabeth
36. Apartheid
43. A Blood Knot Timeline
by Ariel-Franklin-Hudson
55. South Africa's "Coloreds": A Group Torn between Black and White Worlds
by Alan Cowell
61. Ten Things Everyone Should Know about Race
63. Development of the Notion of Race
66. Questions to Consider
67. For Further Information . . .

Words on Plays is made possible in part by The Andrew W. Mellon Foundation.

Adobe Reader is required to view A.C.T. publications.

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Video

KQED Video KQED's Spark recently went behind the scenes to capture exclusive rehearsal footage and inteviews with Charles Randolph-Wright, Tracy Chapman, and the cast of Blood Knot.

Steam video of the entire Spark feature online (Real Player is required), and check out upcoming air dates.


Production Photos

Production PhotosView production photos from Blood Knot at A.C.T. All photos by DavidAllenStudio.com.

On the Blog

Read more about the creative process behind this production of Blood Knot on the blog.

Excerpts from the Blood Knot blog by actor Steven Anthony Jones:

"In Belville South we met another of Songs' friends, Rodney Adonis. He gave us insight into the life of a Colored man in the 1960s, the time of our play. We talked about the state of mind and psyche under Apartheid. We discussed the different ways that horrid system impacted the lives of the people it oppressed, both Black and Colored. We saw so much, felt so much, learned so much. It is very hard to put it all into words, so I'll stop trying. I'll try to put it all into my work on stage. It's a daunting task, but that makes it all the more exciting."

Read more about the trip, learn about the play, and view images and video clips about Blood Knot
at bloodknot-act.blogspot.com

Press Releases

Press Room

A.C.T. Tackles Big Issues in Fugard's Blood Knot
January 18, 2008

A.C.T. Core Acting Company Members Travel to South Africa
August 31, 2007

Reviews and Other Press

The Politics of Love and Hate
Terry Teachout, The Wall Street Journal

A.C.T. reprises Blood Knot with insight, grace
Janos Gereben, The Examiner

A.C.T.'s Blood Knot Taps into Outrage of Athol Fugard
Karen D'Souza, San Jose Mercury News

Theater review: Blood Knot digs deep into racial divide
Pat Craig, Contra Costa Times

Theater Reviews: Blood Knot
San Francisco Chronicle

Blood Brothers
Karen McKevitt, Theatre Bay Area

Grammy Winner Tracy Chapman Writing Music for A.C.T's Blood Knot
Brian Scott Lipton, TheaterMania





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