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Good Breeding

October 9–25, 2008

Good Breeding by Robert O'Hara by Robert O'Hara
Directed by Timothy Douglas

A.C.T. Master of Fine Arts Program
performing at Zeum Theater

Sex, murder, revenge—it's all fair game in this extravagant new adaptation of the Greek Oresteia. In a wildly erotic staging, A.C.T. shifts the tale of the curse of the House of Atreus to a decadent, hypnotic world evoking New York's infamous Studio 54. Dangerously brutal and deftly feminist in its point of view, Good Breeding pits merciless gods against man in a searing vision of lust, love, and power. Presented by the A.C.T. Master of Fine Arts Program, acclaimed director Timothy Douglas, and OBIE Award–winning playwright Robert O'Hara.

This production features nudity and strong language.
Suggested for mature audiences only.

Zeum Theater
221 Fourth Street
San Francisco, CA 94103

Media Sponsor
SF Station

Cast

James Bigelow
(Achilles, Royal Messenger, Charon)

Allison Brennan
(Hera)

Nick Gabriel
(Photographer, Cupid, Pylades)

Lloyd Roberson II
(Agamemnon, Menelaus)

Liz Sklar
(Athena, Tribunal)

Mfoniso Udofia
(Clytemnestra, Helen)

Cat Walleck
(Cassandra, Woman #1)

Weston Francis Wilson
(Orestes)
Britannie Bond
(Electra)

Philip Martinson
(Tantalus, Furious, Hades)

Rondrell McCormick
(Zeus)

Patrick Russell
(Apollo, Hermaphrodite)

Christopher S. Tocco
(Pelops, Senator, Artemis, Hermaphrodite)

Kelsey Venter
(Aphrodite, Woman #2)

Erin Michelle Washington
(Iphigenia, Virgin, Cerberus 1, Persephone, High Priestes)

Creative Team

Robert O'Hara
(Playwright)

Timothy Douglas
(Director)

Erik Flatmo (Scenic Designer)
Callie Floor (Costume Designer)
Christopher Studley (Lighting Designer)
Brendan West (Sound Designer)
Rich Henry (Assistant to the Director)
Megan Sada (Stage Manager)

Production Photos

Production Photos from Good BreedingView production photos from Good Breeding. All photos by David Wilson.



"Your formal training at A.C.T. is demanding, individual, and intense and is designed to refine your sense of theatrical truth by tuning your human instrument—your voice, body, intellect, and imagination."

Melissa Smith, Conservatory Director

A.C.T. seeks to develop the artist in every actor. We cultivate educated men and women of the theater with a critical sense who will energize and advance performance in America. Our training prepares actors to succeed in all aspects of the profession, but our primary goal is to prepare artists for a lifelong investment in the theater.

Our curriculum combines rigorous training in the practical disciplines of acting with the study, rehearsal, and performance of classical and contemporary works drawn from the world repertoire. We believe that actors who have an intellectual and visceral grasp of dramatic literature, who recognize a relationship between new and classical work, are uniquely prepared to collaborate in the development of new dramatic forms.

To learn more about the A.C.T. Conservatory, including the A.C.T. Master of Fine Arts Program, please visit www.act-sf.org/conservatory.



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