A.C.T.’s Next Chapter

In all the great stories, the turning of a page—the beginning of a new chapter—holds the most anticipation and reveals the biggest surprises. As story lovers, we revel in unexplored territories, new characters, and unexpected journeys.

Join us as A.C.T. embarks on its own next chapter under the leadership of new Artistic Director Pam MacKinnon and new Executive Director Jennifer Bielstein.

Packages start at $14 per play for weekday preview balcony subscriptions.
4-play and 3-play subscriptions are currently available.

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Call A.C.T.’s Subscriptions Office at 415.749.2250 (Mon.–Fri., 11 a.m.–6 p.m.) and talk to an experienced representative who can help you choose the performances, series, and seats that best fit your interests, budget, and schedule.


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A.C.T. offers full-season packages (all 7 shows) and partial-season packages (4–6 shows of your choosing). Choose what you want to see—on the days you want to see it.

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A.C.T. subscribers save up to 33% on regular ticket prices, and avoid increases later in the season. They also receive priority perks—a production exchange (for full season members), discounts on classes, costume rentals, Union Square restaurants and more!

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Your theatergoing experience doesn't need to end when the play does. From discussions with cast members to parties with your fellow theatergoers, InterACT events take theatergoing to the next level.



The 2018–19 Season


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Directed by Pam MacKinnon

January 23–February 17, 2019
A.C.T.’s Geary Theater

“Of all Mr. Albee’s plays, this is the most exquisitely written”
The New Yorker 

“Wry, charming and surprisingly hopeful

Los Angeles Times

In her A.C.T. debut, Artistic Director Designate Pam MacKinnon continues her career-long exploration of American theater’s legendary playwright, Pulitzer Prize winner Edward Albee (Who’s Afraid of Virginia Woolf?; The Goat, or Who is Sylvia?).

In this wildly imaginative and satirical comedy, a newly retired couple picnics on a beach and squabbles about their life together when they are interrupted by two human-sized, English-speaking lizards. Are the newcomers an evolutionary miracle, or a threat? And which couple is the greater risk to the other?

As the two pairs begin to communicate, they come uneasily together, discovering how transitions in life can spark terror and restlessness in any creature of habit. Albee returns to The Geary for the first time in a decade, with a sparkling fantasy of growing up and growing old, fear and adventure, love and laughter.


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To reserve tickets for groups of 15 or more, email groups@act-sf.org or call 415.439.2424.



by Mfoniso Udofia
Directed by Victor Malana Maog

February 15–March 31, 2019
A.C.T.’s Strand Theater

“Powerful . . . moving . . . extraordinary”

The New York Times 

“Mfoniso Udofia is a first-generation Nigerian-American playwright with a lot on her mind and a seriously compelling storytelling gift.”

From an extraordinary new voice in American theater comes this taut and achingly poignant drama exploring the multigenerational bonds of a Nigerian family living in the United States.

Traveling from Lagos to visit her mother and American-born sister for the first time in two decades, thirtysomething Iniabasi arrives to a snowy landscape, and even chillier truths inside a small Manhattan apartment. As Nigerian traditions clash with American realities, the family is forced to confront its literal and emotional baggage and its painful legacies across language, continents, and cultures.

Playwright Mfoniso Udofia, a graduate of A.C.T.’s M.F.A. Program, won acclaim in New York—now A.C.T. joins with Magic Theatre, to each present one, independent chapter from Udofia’s sweeping nine-part saga about a family of Nigerian immigrants and their American-born children. Pulsing with humor and heartache, this tender and hopeful window into an evolving family is “a reminder that most Americans share a common origin story” (The New York Times).


Download Group Sales Information

To reserve tickets for groups of 15 or more, email groups@act-sf.org or call 415.439.2424.



BD Wong

by Lauren Yee
Directed by Lisa Peterson

March 6–31, 2019
A.C.T.’s Geary Theater

“[This] imaginative vault over the decades . . . asserts a quiet, beautifully unexpected power”
Denver Post

When a college basketball team from San Francisco is invited to China for an exhibition game in 1989, a smack-talking American coach prepares to take on his protégé [played by Tony Award winner BD Wong]—now grown and bent on crushing the Westerners. But after a public high school star from Chinatown joins the American team, his actions in Beijing become the accidental focus of attention, escalating the fractured history between the coaches.

Funny, urgent, and contemporary, this slam dunk of a sports drama from award-winning Bay Area playwright Lauren Yee explores identity, global politics, and the collision of cultures and generations. Soaring through time and leaping across continents from the hardball courts of San Francisco’s Chinatown to a Beijing on the brink of revolution, The Great Leap builds tension right up to the buzzer.


Download Group Sales Information

To reserve tickets for groups of 15 or more, email groups@act-sf.org or call 415.439.2424.



by Kate Hamill
Based on the novel by William Makepeace Thackeray
Directed by Jessica Stone
A coproduction with Shakespeare Theatre Company

April 17–May 12, 2019
A.C.T.’s Geary Theater

“A gift to actors and a goody bag for its audience”

The New York Times

“A masterpiece of creative compression that is at once arrestingly original and faithful to its source material”
The Wall Street Journal

From acclaimed playwright Kate Hamill (2017 Playwright of the Year, Wall Street Journal) comes a rollicking new stage adaptation of William Thackeray’s classic 19th-century novel that pops with 21st-century spirit.

Ambitious Becky Sharp may not have been born with wealth or status, but she’s determined to attain both—at any cost. Armed with fierce wit and calculating charm, Becky forges her own path through London’s high society, dealing herself into a game she was never invited to play.

Displaying the celebrated audacity and verve that she brought to her adaptation of Sense & Sensibility, Hamill conjures an inventive and lively period drama featuring one of literature’s original “nasty women.”



by Eugène Ionesco
Translated by Derek Prouse
Directed by Frank Galati

May 29–June 23, 2019
A.C.T.’s Geary Theater

“Roars with power and humor . . . fascinating . . . action-packed . . . timely”

Sarasota Herald-Tribune

“Sharp as ever! Ionesco’s seminal absurdist satire . . . about the fragility of civilized norms we take for granted”
Los Angeles Times

In the opening moments of Ionesco’s masterpiece of absurdist satire, a rhinoceros rampages through a village square.
At the local café, people argue over what they saw. Was it really a rhino, or just fake news?

As the eccentric villagers shed refined façades for hides and horns—smashing windows and crushing flowerbeds—rumpled everyman Berenger faces a desperate choice: take a stand against the armored brutes or join the mindless herd?

Hailed as “masterful . . . and downright hilarious,” this outrageous, comedic story of a civilized community shifting from defiance to compliance is chillingly resonant and riotously funny. From Tony Award–winning director Frank Galati (1776 at A.C.T.) comes an all-new adaptation of this wickedly entertaining comedy about power, conformism, and mass culture.


All dates, titles, and artists are subject to change.

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